rhavekost/author-toolkit10 files

Fiction Workshop

Use when writing or editing novels, short stories, or any fiction manuscript. Trigger on: 'write fiction', 'edit my novel', 'developmental edit', 'line edit', 'character voice', 'plot hole', 'brainstorm', or fiction writing tasks.

Specification
Skill ID
rhavekost/author-toolkit/fiction-workshop
Publisher
rhavekost
Repository
author-toolkit
Installs
0
Files
10
Synced
Sep 23, 2026
How to use it

Open any RiverX project, open the Skills panel in the chat, and search for this identifier. The files are fetched from the source repository at install time.

rhavekost/author-toolkit/fiction-workshopInstalls these files
  • SKILL.md
  • assets/scene-worksheet.md
  • assets/story-bible-template.md
  • references/brainstorming.md
  • references/character-work.md
  • references/continuity-tracking.md
  • references/developmental-editing.md
  • references/line-editing.md
  • references/scifi-worldbuilding.md
  • references/thriller-craft.md

What this skill tells the agent

Fiction Workshop

Editorial workflow for collaborative fiction writing in three stages: Story Bible Building, Chapter Development, and Reader Testing.

Session Continuity

Novel projects span weeks or months. Claude has no memory between sessions, so the Story Bible is your persistent state.

  • At session start: Read story-bible.md (or whatever the project calls it) before doing any other work. Skim recent files in sessions/ for unresolved threads.
  • At session end: Write a brief note at sessions/YYYY-MM-DD_topic-slug.md summarizing what was done, decisions made, and the stopping point. Two to five sentences is enough.
  • When foundations shift: Update the Story Bible immediately when premise, character bios, world rules, or major plot turns change. The Story Bible is the source of truth, not a one-time template.
  • Surface unresolved questions: At the start of new work, list questions left open from prior sessions and ask the user which to address before continuing.

When to Use

This skill is for:

  • ✅ Long-form fiction (novels, novellas, short story collections)
  • ✅ Multi-chapter manuscripts requiring character/plot consistency
  • ✅ Fiction projects needing developmental or line editing
  • ✅ Stories with complex worldbuilding or multiple POV characters

When NOT to Use

This skill is NOT for:

  • ❌ Flash fiction or single scenes (< 2000 words) - too lightweight for the workflow
  • ❌ Poetry or experimental prose - needs different editorial approach
  • ❌ Screenplays or stage plays - different format conventions
  • ❌ Technical writing, documentation, or academic papers
  • ❌ Business writing or marketing copy

For narrative nonfiction (memoir, self-help with story elements), use the narrative-nonfiction skill instead.

Editorial Personas

Personas are primarily for Stage 2 (Chapter Development) and Stage 3 (Reader Testing); Stage 1 is freeform Story Bible building that does not require persona invocation. Switch between these roles by requesting a specific lens:

RoleInvocationFocus
Developmental Editor"As developmental editor..."Plot, pacing, structure, stakes, theme
Line Editor"As line editor..."Prose rhythm, word choice, "show don't tell"
Character Consultant"As character consultant..."Voice consistency, motivation, arc, relationships
Continuity Tracker"As continuity tracker..."Timeline, world facts, internal consistency
Brainstorm Partner"Brainstorm mode...""What if" exploration, problem-solving, unsticking

Load only the reference file matching the currently invoked persona. Do not preload all references at session start—it wastes context budget. If switching personas mid-session, load the new reference file and treat the prior one as out-of-scope unless the work explicitly bridges both.

See references/ for detailed guidance on each role.


Stage 1: Story Bible Building

Goal: Establish shared story foundation before drafting or editing.

Initial Questions

  1. Genre and target reader?
  2. Core premise/logline?
  3. Protagonist: who they are, what they want?
  4. Central conflict?
  5. Reader's intended emotional journey?
  6. How much written vs. planned?

Story Bible Components

Plot: Premise, three-act structure/beat sheet, major turns, ending (even if rough)

Characters: Protagonist (want/need/wound/arc), antagonist (motivation/threat), supporting cast (function/relationships), POV voice notes

World: Setting (time/place/rules), tech/magic systems, social structures, sensory palette

Theme: Central question, moral argument, recurring motifs

If a Story Bible document exists, review it. If not, offer to create one using assets/story-bible-template.md.

Example Story Bible entry (character):

ALEX CHEN - Protagonist
Want: Expose the conspiracy and clear her name
Need: Learn to trust her instincts over institutional authority
Wound: Mentor betrayed her at previous agency, causing career setback
Arc: Lone wolf → realizes she needs allies → builds trust with team
Voice notes: Analytical, dry humor when stressed, avoids emotional language
Key relationship: Tension with Handler (wants to trust, can't fully)

Exit condition: Confident grasp of story fundamentals. Can discuss character motivations, predict plot implications, and identify thematic threads without asking basic questions.


Stage 2: Chapter Development

Goal: Draft or refine chapters through brainstorm → curate → draft → refine cycles.

Drafting new? → Creation workflow | Editing existing? → Editing workflow

Creation Workflow

  1. Scene Planning
  • What must happen (plot)? Whose POV?
  • Chapter's emotional arc?
  • What reader learns/feels by end?
  1. Brainstorm Beats (5-15 options): Opening hooks, key moments, dialogue, sensory details, closing

Example (thriller scene): Same car outside coffee shop three days running | Phone buzzing at 3am with blocked caller | Surveillance photo under door | Colleague mentions detail only surveillance would know | Camera lens reflection in window | Dead drop cleaned out | Safe house key doesn't fit | Contact misses first check-in

Then curate: "Which create immediate tension? Combine any?"

  1. Curate: Ask which to keep, combine, or discard. Reasons help calibrate.
  1. Draft: Write chapter. Use str_replace for revisions, never reprint.
  1. Refine: Iterate on feedback. After 3 passes with minimal changes, ask: "What could be cut?"

Editing Workflow

  1. Read and Diagnose: What chapter tries to do, where it succeeds, where it loses energy/clarity
  1. Invoke Persona: Structure/pacing → Developmental | Prose → Line | Voice → Character | Facts → Continuity
  1. Propose Changes: Specific, surgical edits with brief "why"
  1. Implement: Use str_replace. Link to file after changes.
  1. Iterate: Until chapter achieves purpose

Role-Specific Guidance

When a specific editorial persona is invoked, load the corresponding reference file:

  • Developmental editing → references/developmental-editing.md
  • Line editing → references/line-editing.md
  • Character work → references/character-work.md
  • Continuity → references/continuity-tracking.md
  • Brainstorming → references/brainstorming.md
  • Thriller-specific craft → references/thriller-craft.md
  • Sci-fi worldbuilding → references/scifi-worldbuilding.md

Stage 3: Reader Testing

Goal: Verify manuscript works without author context.

Using fresh sub-agent (no story bible):

  1. Comprehension: Can they summarize plot, understand motivations, identify stakes?
  2. Engagement: Where did they lose interest, have questions, feel confused?
  3. Emotional: Did key moments land? Ending satisfying? Theme clear?

Common issues: Unclear motivation | Pacing lags | Unearned moments | Confusion

If struggles: Identify gap → Return to Stage 2 → Re-test

Exit condition: Reader understands and engages without author explanations.


Self-Check: Is This Working?

Use these checkpoints to verify you're following the workflow correctly.

After Story Bible building:

  • [ ] Can you describe the protagonist's want vs. need without re-reading notes?
  • [ ] Can you predict how the antagonist would react to a new scenario?
  • [ ] Do you understand the thematic question the book explores?
  • [ ] Could you summarize the three-act structure in 2-3 sentences?

After invoking a persona:

  • [ ] Did you explicitly say "As [persona name]..." in your request?
  • [ ] Is the feedback focused on that persona's domain (developmental = structure, line = prose)?
  • [ ] Did you avoid mixing feedback from multiple personas in one pass?

After making edits:

  • [ ] Did you use str_replace for surgical changes, not reprinting entire sections?
  • [ ] Can you articulate what changed and why it's better?

Use this skill in a project

Open any RiverX project, search the Skills panel for rhavekost/author-toolkit/fiction-workshop, and install it in one click.

Use this skill